One of the most noteworthy elements of Steven Soderbergh's Traffic is the visual distinction between its three major story threads. The cold blue look of the Ohio and Washington, DC-set sequences centering on Michael Douglas' character and the sun-drenched palette of the San Diego scenes were achieved during production. But for the subtitled sequences set in Tijuana, featuring Benicio Del Toro as a Mexican police officer, something different was required. That was supplied by Cinesite, Inc., ...

General Admission

This content is free to access as a registered user on

Why register for It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

Already registered? here.