It was the fall of 1995, and Patrick Stewart was unhappy. There he was onstage at the Broadhurst Theatre, rehearsing for a production of The Tempest that was transferring to Broadway after a very successful run at the Delacorte in Central Park, and he couldn't hear himself speak. Three years earlier, he had performed on the same stage in a one â€” man production of A Christmas Carol, and he could hear his voice bounce off the back wall. Now, nothing. Dan Moses Schreier was the sound designer ...
This content is free to access as a registered user on livedesignonline.com
Why register for livedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision