Editor's Note: This is the first of a two — part column by Elaine McCarthy detailing her involvement as projection designer on the Broadway revival of Into the Woods. Part One details the early planning and preliminary design details of the project. The call came from lighting designer Brian MacDevitt. We had worked together last year designing both Judgement at Nuremberg and Speaking in Tongues. He asked me to join a meeting that was to take place two hours later with James Lapine and the ...
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