The germ of an idea for a “green” Ring Cycle entered Seattle Opera general director Speight Jenkins' head in 1994, seven years before the plan reached fruition in Seattle Opera's triumphant 2001 production. By 1995, he had chosen Stephen Wadsworth as his stage director, and, with him, set designer Thomas Lynch, lighting designer Peter Kaczorowski, and costume designer Martin Pakledinaz, with a plan to present a Ring that hewed as closely as possible to Wagner's own stage directions, ...
This content is free to access as a registered user on livedesignonline.com
Why register for livedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision