To begin I must send props to the engineers around the world that are now or in the past have been involved with mixing Broadway/musical theatre. You are truly a different breed. If you are a mix engineer of the concert genre, as I have been for many years — mixing recording artists on tour in arenas, sheds, and stadiums or working the bars and nightclubs with up-and-coming artists — you would be surprised to find how different things are on the other side of audio, that is engineering ...

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