“Hey buddy! Could you turn up the guitar and fix the mix on that kick drum?” I heard the cry come from an audience member standing in the aisle next to me. We were at Madison Square Garden, and I was standing in front of a Wholehog 2 console. “I mean it, man! That mix is [insert expletive here]! You gotta do something about that!” It was clear that this was a “sound guy” only at heart, if not in practice, because he was oblivious enough to approach the squinting lighting guy looking up in ...
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