Early in my career, a production manager told me the only way he could make sure he had “perfect” sound reproduction for Philip Glass' live shows was by demanding Meyer speakers. As a sound designer and mixer, I have used tools from Meyer in every major event in my career. Whether other designers chose them — from mixing Abe Jacob's design for Cats, to a mass held by Pope John Paul II in Giants Stadium — or whether I selected them to solve an unusual design problem (MSL-2s on the Big Apple ...

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