Before it's show time, it's EQ time — time to tune the system. A hundred boxes have been hung all over the place, and now they have to sound good. Everyone clear the room; this could get ugly. Pink noise — loud, pink noise — microphones are all over the theatre and the designer is sitting behind a computer screen staring at some bouncing lines and listening to the same Suzanne Vega song over and over — and over again. Tuning a system is by far the most important task in designing a show. If ...
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