Before it's show time, it's EQ time — time to tune the system. A hundred boxes have been hung all over the place, and now they have to sound good. Everyone clear the room; this could get ugly. Pink noise — loud, pink noise — microphones are all over the theatre and the designer is sitting behind a computer screen staring at some bouncing lines and listening to the same Suzanne Vega song over and over — and over again. Tuning a system is by far the most important task in designing a show. If ...

General Admission

This content is free to access as a registered user on livedesignonline.com

Why register for livedesignonline.com? It's simple and free, and here is what you get:

  • Daily original news covering the latest in entertainment design and technology
  • Features on the latest industry trends
  • Insights from thought leaders in the industry
  • The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision

 

Already registered? here.