As some people know, I originally started my journey into musical theatre with a desire to land in the pit orchestra. In my youth, I split my time assisting my father, a scenic designer, and studying classical music as a double bassist. I attended the New England Conservatory and later the Berklee College of Music, studying both classical and jazz bass. I have mentioned many times in this column that much of the reason projections are brought into a project is to solve that age-old dilemma ...
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