The production design and elaborate stage build for the 2010 Essence Music Festival (produced by Rehage Entertainment) might be looked at as a prototype for its effort to fuse elements like lighting, scenic, audio, and video—to combine these assets into one compact stage that is uniform yet an organic and fluid sculpture. I approached this process with the mindset similar to that of a car designer, one who designs where and how metal bends to meet glass, how glass curves to become the ...
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