Bandit Lites On Richard Ashcroft’s UK Tour Finale At Old Trafford
Richard Ashcroft, former frontman of British
rock band The Verve, ended his latest tour by rocking out in front of a hugely
enthusiastic crowd of 26,000 fans at the Old Trafford Cricket Ground in
“Bandit did a fantastic job as always,”
comments Gaskell after the Old Trafford show. “They looked after me so well on
the tour which continued with this show, which was effectively a large and
challenging one-off after the end of the tour. As usual, the crew and all other
Bandit people involved worked tirelessly to make it happen.”
For the Old Trafford show, working with Tim
Flemming, Gaskell created custom video, which was beamed onto an LED backdrop
onstage and integrated into the lightshow for Ashcroft’s dynamic set.
The rig was based around three overhead
lighting trusses and six vertical truss towers on the floor. The system
consisted of 28 Martin MAC 2000 profiles, 34 High End System Studio Beam® wash
fixtures, 60 2-lite Molefeys, 16 Atomic strobes and ETC Source Four® profiles
for key-lighting. In addition, Gaskell specified a 48”-diameter faceted mirror ball
and a single 2K Lycian followspot for the stage. Gaskell operated the stage
lighting using a Wholehog 2 and a wing. The playback video was run separately
via a laptop.
The lightshow featured bright single color
looks and clean, strong single light source looks for the acoustic numbers. The
main lighting effect was over 400’ of festoon lighting. The rigging of the
festoon was difficult, as it had to be double-hung and secured around each of the
four vertical truss towers bordering three video screens, as well as the two
free-standing vertical truss towers onstage. The festoon also ran up and down
the full height of the supporting stage roof towers and around two further
offstage towers beyond the PA and video wings. This gave the stage an element
of elegant architectural form.
The Old Trafford show was also an 8-camera DVD
shoot with gear supplied by XL Video. Sound was supplied by Britannia row and the
entire was production managed by Andy Proudfoot.
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