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> Zach Williamson
Articles by Zach Williamson
There’s An Audio App For That
Three professional audio apps we love: Performance Audio’s Audio Tool, Alex Wiltschko’s Octave, and TwistedWave Audio Editor.
USB and MADI, Together At Last
Universal Serial Bus meets Multichannel Audio Digital Interface in Digico Solutions’ new UB>MADI device.
Closer Look: Rational Acoustics Smaart I-O
Rational Acoustics has just announced its Smaart I-O interface, designed specifically to work in conjunction with Smaart version 7.3.2
Closer Look: AKG WMS 470
AKG has recently introduced another product to its popular 400 series, the WMS 470. With a market that’s tight, the company hopes that the 470 has something that will stand out among the crowd.
Figure 53’s QCart: Old School Meets New School
The recently introduced QCart is quite possibly the most basic playback system out there, but it’s professionally and slickly created.
The Countryman E2: Close Miking Moves to the Ear
The E2 is a direct relative of the E6, but its main mechanics have been changed to ease some of the drawbacks of the E6. The E2 is a unidirectional microphone, as opposed to omidirectional.
Meyer Sound DC-Powered Group of Speakers: XP
Meyer's XP speakers are small, yet powerful, self-powered speakers that take the power supply out and make it a remote unit.
Closer Look At SADiE 6
With the release of SADIE 6, Prism Media Products has made its software run natively on a Windows 7 computer with any ASIO or WDM-based interface.
HME DX210 Digital Wireless Intercom
HME, now part of Clear Com, has introduced the DX210 two-channel system based around triple diversity transmissions in the 2.4Ghz bandwidth.
Lectrosonics Quadra IEM
Lectrosonics has introduced a new in-ear-monitor (IEM) system that allows you to wear a four-channel mixer
Duck's Echo MR-4 and MR-6
Say goodbye to your worn out space bar, your USB-extended keypad, your DB-9 to TRS to F8, or even your blue-glowing Powermate
What I’m Using Now: Stage Research RF Guru
RF Guru is new radio frequency coordination software from Stage Research and developed with sound designer Shannon Slaton
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