A massive five-ton wheel set the stage for the world premiere of Joel Agee’s new translation of the Aeschylus classic, Prometheus Bound, produced by CalArts Center for New Performance in association with Trans Arts, and seen at The Getty Villa.
Lighting designer David Finn's light plot for Michael Jackson ONE, where the rig includes well over 100 Clay Paky automated luminaires, as well as fixtures by Martin Professional, ETC, Thomas, Chroma-Q, Philips Color Kinetics, and Robert Juliat, with control via MA Lighting's grandMA2 consoles.
Fashion designer Zaldy Goco* created the hundreds of costumes for Cirque du Soleil's Michael Jackson ONE, based on Jackson's iconic fashion looks, reimagining the hats and jackets seen on tour or in music video to Jackson's signature-syle gloves.
A Q&A with Brandon Andreasen, assistant head of audio, and primary front-of-house engineer for Michael Jackson ONE. He oversees the mix of the show, including CueStation programming, and the maintenance of the FOH sound system. He started working on the project in November of 2012, a few weeks before load-in began.