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Staging & Rental
> Davi Napoleon
Designers envision John Logan’s Red, an historical play about painter Mark Rothko and his assistant, where the characters paint a massive work on stage, in different ways.
Heather Gilbert: In Love With Lights
Heather Gilbert has designed lights in top regional theatres in the U.S., in every major Chicago venue, and as far away as Singapore.
Misha Kachman: Painting Outside The Lines
Set and costume designer Misha Kachman has been known to imagine designs before plays are finished.
Nether Regions: Designing The Plays Of Jennifer Haley
Jennifer Haley recalls an assignment from when she was studying playwriting with Paula Vogel at Brown: Write an impossible play.
A Force To Be Reckoned With
The Force has been strong with Joseph Zettelmaier since the late ‘90s, when the most prolific playwright in Michigan turned his attention from acting to writing.
Up, Up, And Away
Alastar Dimitrie, executive director of the Upper Peninsula Shakespeare Festival, and Jamie Weeder, the theatre’s artistic director, search for a venue in upstate Michigan.
Silence Is Golden
Director/performer Paata Tsikurishvili and choreographer Irina Tsikurishvili founded Synetic Theatre Company, which produces Shakespeare plays sans dialogue but with evocative soundscapes.
The Hypocrites in Chicago opened All Our Tragic—Sean Graney’s adaptation of all the Greek tragedies—last year alley-style, and the team remounted it this summer.
What Is A Projection Editor, Anyway? Part Two
The field of projection design is changing so rapidly that it’s anybody’s guess just how much the technology will have advanced and how many sub-fields will have developed by the time you read this.
What Is A Projection Editor, Anyway? Part One
Before you read on, a word of caution: This story may be obsolete. It was written last month.
Total Immersion: Hamlet
The Slipstream Theatre did an adaptation of Hamlet, cast spectators as psychiatric experts who were at the Elsinore Asylum to evaluate the all female inmates as they presented the Shakespeare play.
Total Immersion: Crime And Punishment
Live Action Set (LAS) and Dangerous Productions mounted a fully immersive adaptation of Dostoevsky’s Crime And Punishment (C&P) in the industrial basement of the Soap Factory in Minneapolis.
Grounded, Part Five: Layered Projections, American Blues Theatre
Check out the American Blues Theatre's production of Grounded, with scenic design by Sarah E. Ross, projection by Mike Tutaj, lighting by Sarah Hughey, and sound by Lindsay Jones.
Grounded, Part Four: Gauze At The Gate Theatre
The production of Grounded at The Gate Theatre in London featured sets by Oliver Townsend, lighting by Mark Howland, and video by Benjamin Walden.
Grounded, Part Three: As The World Turns, Unicorn Theatre
The case studies of Grounded continue with the Unicorn Theatre's production, with sets by Gary Mosby, projections by Douglas J Macur, and sound by Greg Mackender.
Sessions On Demand
Sessions on Demand
Sep 20, 2016
The Art Of Programming: Media Servers, Pixel Mapping & Digital Lighting, Part Two
Learn how to handle media servers, pixel mapping, and other digital devices in this informative video session....
Sep 15, 2016
The Art Of Programming: Media Servers, Pixel Mapping, And Digital Lighting, Part One
Programming digital devices presents programmers with a new set of challenges....
Sep 5, 2016
The Art Of Programming: Mastering Effects Engines And Lighting Networks, Part Two
This LDI session discusses networking within lighting systems and various protocols such as Art-Net, s(ACN), Kling-Net and more....
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